From science to painting and engineering to human anatomy, Leonardo da Vinci was widely considered a Universal Genius due to how many important discoveries and inventions he achieved across so many different fields.
Growing up in Florence in the 1500s, in the midst of the Florentine Renaissance, Leonardo da Vinci had the extraordinary talent of confronting complex problems and taking on ambitious projects, chasing, for example, the dream of flying, a recurring human thought since ancient times.
We have always admired his revolutionary thoughts by which he imagined a world entirely governed by mechanical principles.
In our Museum, after years of studies and scientific research inspired by the creation of his famous machines, we have highlighted the unity of his thinking by reconstructing some of his most incredible ideas.
The Mona Lisa shows a woman with a thoughtful expression and a slight smile. It was created from 1503 to 1506. Today it is actually kept at the Louvre Museum in Paris where it is undoubtedly the museum’s main attraction. It is probable the woman is Mona Lisa Gherardini, a courtesan from the small rural nobility that reigned from the end of the 14th century to the beginning of the 15th century.
In the top left is the apocryphal writing, “LA BELE FERONIERE LEONARDO DA VINCI.”
It is a portrait of Cecilia Gallerani, one of the lovers of Duke Ludovico Sforza, the protector of Leonardo in Milan, in which Ludovico had the ermine as a heraldic emblem. For its white hair, the animal was considered a symbol of purity. While the background seems void, X-rays have since proved that behind the shoulder of the women a windows was painted.
“The Baptism of Christ” is a painting from the work of Verrocchio but Leonardo painted the angel that holds the tunic, in the bottom left.
The first to mention Leonardo’s participation in this piece by Verrocchio was Giorgio Vasari. All the parts executed in oil belong to Leonardo: the face of the angel in profile and some curls of the other angel.
The title this painting is universally known by is “La Belle Ferronnière” (“the beautiful wife of the hardware merchant”) but this is an incorrect title that resulted from a mistake in the 1700s, during inventorying, it was confused with another portrait of a lady. The identity of the woman was flipped between the same Cecilia Gallerani, Elisabetta Gonzaga and Lucrezia Crivelli.
1452
He is born April 15th in Achiano, a small town near Florence, illegitimate son of Notary Ser Piero and Caterina, a woman of humble origins.
1466
He moves to Florence with his dad.
1469
He begins as an apprentice in the workshop of the illustrious painter, Verrocchio.
1471
He collaborates to create the angel on the left of the painting, “The Baptism of Christ” of Verrocchio.
1472
He enrolls at the company of painters of San Luca, and starts his career as an independent artist.
1481
He works on the altarpiece “The Adoration of the Magi,” around the Church of San Donato in Scopeto, a job that remains unfinished.
1482
He is hired by the Lordship of Milan from Duke Ludovico il Moro. He studies engineering and architecture, painting and drawing.
1489
He studies for the creation of the monumental “Equestrian Statue”. He creates only the terracotta model, then it is destroyed by the French with the invasion of Milan in 1499.
1490
He creates the painting of Cecilia Gallerani, the lover of Ludovico il Moro, known as “The Lady with the Ermine”.
1495-1498
He works on “The Last Supper”, with a fresco technique in particular. The work will deteriorate after just a few years.
1500
He returns to Florence where he is painting the Sant’Anna in the Church of the Annunciation.
1502
Leonardo begins to serve Cesare Borgia as a military engineer.
1502 - 1505
Together with Michelangelo he decorates the hall of the Palazzo Vecchio: the mural illustrates the battle of Anghiari but it would never be finished. He worked to create the “Mona Lisa.”
1506 - 1513
He moves again to Milan under the invitation of Charles d’Amboise, the new governor of Milan. He resumes his studies of flight, physics, optics and hydraulic engineering. In Pavia, he resumes his studies of anatomy and dissections of cadavers.
1513 - 1516
He moves to Rome under the invitation of Giuliano de Medici. He see Michelangelo’s Sistine Chapel and continues his studies of geometry and hydraulic engineering.
1516
He was nominated as top painter, engineer and architect by King Francesco I, and he moves to the Cloux Castle at Amboise.
1519
He dies May 2nd in Cloux, leaving manuscripts, designs and instruments to his student Francesco Melzi. His other paintings are mysteriously never mentioned.